On December 30, 2009, Context - who I have written about in the past (click here or here) - launched a New Years Eve flash sale. Immediately, I was drawn to a pair of Left Field jeans. Described on Context's web site as "high slub rinse" - basically a very slubby fabric (16oz.- which is substantial), which was rinsed once, to get shrinkage out of the way, they were lovely, slim fit, with high placed back pockets, great hardware, and dynamite bandana cloth pocket bags. The best part? The were half off - $99. They remain one of my go-to pairs of jeans. Worn cuffed they fit trim and the slubbiness has given way to yield great vertical fading with a soft, near towel-like interior texture. Behold:
Showing posts with label Context. Show all posts
Showing posts with label Context. Show all posts
Wednesday, February 20, 2013
Saturday, February 9, 2013
Ladies Love Denim Too, Part One
Note: This is a post, the first of two about women's denim, from my better half, the remarkable @henbecdecor - follow her on Twitter for all things whiskey and beverage related, as well as general sardonic wit.
I am not talking about what most women think passes for "nice" jeans. Yes, I am talking to you, miss I went to the Nordstrom semi-anniversary sale and bought 2 pairs of sevens, j. brand, hudson, and a pair of citizens for $300. I used to be one myself. I still have an old pair of sevens that I paint in.
You can wear jeans almost everywhere these days, I mean, let's be honest, the majority of businesses allow at least business casual, and in my industry jeans are not only acceptable but if you are wearing anything nice people assume you have an interview to go to (my husband can't wear jeans to work, it's pretty funny). I wear jeans almost every single day of the week, so I need a pair that is going to last.
Luckily I am married to a man that knows quite a bit about denim. Back in the day, there wasn't a great place in Chicago to purchase quality denim, so we would make a little trip up to Context in Madison. I was prepared to spend some cash on a nice pair of jeans but I was not prepared that most of the jeans do not stretch the way us women would like. There I was in the dressing room being told by 3 men to try on the tightest pair possible because they would eventually stretch (which is true). I was more worried that I was going to rip the zipper out trying to get them on, or risk face-planting in the dressing room. I won't lie, it was an odd moment, I mean, I was used to guys wearing shapeless, baggy faded denim, and here I was being told by a room full of men to go as tight as I could.
Fortunately, one of the pairs they told me to try on were Nudie Jeans, the Tight Long John model, which DO have some stretch to them, so wearing a tight pair of them wasn't like dipping my legs into iron shackles. They were "raw" - which most ladies hear and say "what?" - means they weren't distressed or washed in any way. I think they might be a silly cut on guys (I never liked guys who were rail thin; I like guys with some meat on them, ask my husband), low-waisted and stretchy all the way down, they are perfect for women who want a slim jean with some "denimhead" cred (yes, they are a thing, I've discovered). Nudie Jeans takes making jeans ethically seriously, and so you don't have to feel bad buying a pair - no Indonesian (or whoever) children are being broken on the denim looms to make these jeans. See their page here for details about their philosophy.
As a first pair of dry denim, they are great, and four years later, look great!
Stay tuned for Part Two, where she'll dish about her latest pair of dry denim, this pair by 3sixteen.
Thursday, August 4, 2011
The Fall Has Begun
Well, it has begun to put a claim on my money, anyway. It is time to take a break from displaying my nerd credentials, which are at this point self-evident, to discuss, in this case, boots. Simply put, these boots are killing it. Yuketen has been has been making gorgeous goods since 1985, and in my personal opinion, designer and founder Yuki Matsuda has knocked it out of the park with these Maine Guide DB Chukkas. Horween leather from my hometown of Chicago, hand-sewn moccasin construction, and a real cool ankle height boot with a crepe sole. Wear these with chinos or jeans, or if you are real confident, shorts. I don't think there is a wrong move, except not to get them. Time to start selling organs folks! Available at Context. Now go buy them! But leave a pair in size 11 for me.
Thursday, December 3, 2009
Context IN the Press
A short and simple post today: Context is in the news. The store launched in 2005, and it's great to see it getting national attention. In the December 2009 issue of GQ, in their "Best Stuff 2009" feature their Alden collaboration Roy Boots made the list. Check them out:




These shoes are on their third pre-order, and this was before the national exposure.
Context was also featured in the December/January issue of Monocle; a magazine I've just discovered, and can't say enough good things about. Good journalism, a nice blend of content, and a great layout. Check out the "Local Heroes" on page 154. Hopefully this is just a sign of things to come.
These shoes are on their third pre-order, and this was before the national exposure.
Context was also featured in the December/January issue of Monocle; a magazine I've just discovered, and can't say enough good things about. Good journalism, a nice blend of content, and a great layout. Check out the "Local Heroes" on page 154. Hopefully this is just a sign of things to come.
Monday, August 17, 2009
Ryan in Context
I recently had the opportunity to ask Ryan Huber, co-founder of Madison's Context a few questions. In my opinion, Context is one of the best men's shops in the United States. Few stores have such a breadth of high quality menswear and accessories. Read below to find out what makes Ryan, and Context, tick.

Q: Let’s start with the inevitable, obvious question: I’ve found that most store owners arrived where they are largely by accident. How did you and Sam get to where you are now? What was the inspiration for Context?
Ryan: I would not say Context was an accident, but I can say that we had no prior experience in retail. The business plan was one of a few. Sam and I also thought about opening a neighborhood bar/restaurant that would have looked a lot like our clothing shop-- very masculine with the staff wearing heritage lines. When we opened Context, there were no dry denim specialty shops in the US, or at least none that were openly available to the public. I wanted to put a shop together that felt more like something you'd find in Japan than the US.
Q: Has the current economic climate affected plans for the store? Has it limited in any way the addition of new lines to the stores repertoire?
Ryan: I see no indication of us slowing down. I work hard and plan on keeping things rolling. We buy what we like, and we get behind it 100%.
Q: As a follow up to the above question, do you have a process for determining what particular clothing lines you’d like to add to the store, or is it unstructured?
Ryan: You have to have a level of confidence in your shop and yourself to pick up certain lines. Getting behind a collection means presenting it to your clients in a manner that matches the designer's intentions. I spend a lot of time thinking through how our lines will be shown online and in the shop. I'd say we have cultivated a fascination for authentic fabrics among our clients. Quality production is also an attraction. Our guys won't buy it if it feels cheap or if it reeks of trend. I pay little attention to which lines are receiving press. Press awareness comes after we pick up a line. We are quite often the first to buy our lines (e.g. Apolis Activism, Imperial, The Hill-Side). I like launching collections.

Q: Self Edge and Blue in Green are comparatively more Japan-heavy, carrying several Japan lines each (Samurai, Flathead, Iron Heart, SDA and so on), whereas your lines seem to be from everywhere. Sure, Kicking Mule is Japanese denim, but you carry ALD and Nudie, Apolis Activism and so on. Do you think that the Context consumer is different from a consumer at Self Edge or BiG?
Ryan: I've been to Blue in Green and Gordon runs an amazing shop. His focus is very different than ours, but we share a fascination and love for what we sell. There is nothing traditional about our shops. Landing Momotaro or Somet is not easy and we don't make big bucks selling them. We carry these lines because they are some of the best. Gordon is very denim heavy because he can be, he has stuff no one else has. Our location allows us to carry nearly anything we want-- there are no shops like ours in the Midwest. Gordon would have a hard time carrying say APC, Engineered Garments, and Band of Outsiders because others in Soho do. I can say with confidence that he would not want those lines anyway, they don't fit his shop.
Q: Do regional differences play a part in determining which lines you carry? I.e – Midwest versus left or right coasts.
Ryan: Our location plays less a role in determining the lines we carry than most people would think. There are people all over the world who respond to what we carry, Midwesterners are no exception. Sam and I have brought some pretty unique lines to the US market... we are both native Wisco boys.
Q: Do you feel any pressure to seek out American companies for your store? I notice you have quite a few – Russell Moccasin, Alden, Gitman Bros, for instance.
Ryan: If everything in the shop was American made, I'd be very happy. I'm not saying American made is always the best, but it does make things easier from a business standpoint. I can visit the Gitman factory, the Alden factory and discuss collaborations. A visit to Japan is not out of the question, just much more difficult. We will never fall out of love with Japanese production, their dyeing and weaving techniques are exceptional.

Q: Last question – if you could only have one of the items you sell. What would it be?
Ryan: This is an insane question, like choosing which child you love most.
Thanks to Ryan, for taking the time to answer my questions.

Q: Let’s start with the inevitable, obvious question: I’ve found that most store owners arrived where they are largely by accident. How did you and Sam get to where you are now? What was the inspiration for Context?
Ryan: I would not say Context was an accident, but I can say that we had no prior experience in retail. The business plan was one of a few. Sam and I also thought about opening a neighborhood bar/restaurant that would have looked a lot like our clothing shop-- very masculine with the staff wearing heritage lines. When we opened Context, there were no dry denim specialty shops in the US, or at least none that were openly available to the public. I wanted to put a shop together that felt more like something you'd find in Japan than the US.
Q: Where do you see the store in 5 years?
Ryan: The shop progress is based largely on success shared with our vendors. For example, we meet with Apolis, Gitman, KMW, Alden, The Hill-Side, Nudie, et. al to discuss what works and what we'd like to see them do. They trust us, we know our clients very well.Q: Has the current economic climate affected plans for the store? Has it limited in any way the addition of new lines to the stores repertoire?
Q: How can you separate what you like from what is “right” for the store?
Ryan: There is very little in the store that I would not wear. I own one of the APC jumpsuits we had last season-- not for everyone. There are pieces in each collection that we do not choose. Most of it is based on how it will appear in the shop. My goal is to create a unique experience within the shop. I want people to remember their trip to Context. The only way to be effective is to have a distinct focus. Otherwise you are like all the rest.Q: As a follow up to the above question, do you have a process for determining what particular clothing lines you’d like to add to the store, or is it unstructured?

Q: Self Edge and Blue in Green are comparatively more Japan-heavy, carrying several Japan lines each (Samurai, Flathead, Iron Heart, SDA and so on), whereas your lines seem to be from everywhere. Sure, Kicking Mule is Japanese denim, but you carry ALD and Nudie, Apolis Activism and so on. Do you think that the Context consumer is different from a consumer at Self Edge or BiG?
Q: Do regional differences play a part in determining which lines you carry? I.e – Midwest versus left or right coasts.
Q: Do you feel any pressure to seek out American companies for your store? I notice you have quite a few – Russell Moccasin, Alden, Gitman Bros, for instance.

Q: Name a designer or clothing line that you do not carry, but that is one you really like. Who “gets it”?
Ryan: A friend of ours opened a shop in Atalanta called Sid Mashburn. Sid has amazing style and is an encyclopedia of apparel knowledge. His shop is Southern Gentleman, but has a very distinct personality. He has a list of amazing lines that just wouldn't work in our shop, but each is spot on.Q: Last question – if you could only have one of the items you sell. What would it be?
Thanks to Ryan, for taking the time to answer my questions.
Labels:
alden,
APC,
apolis activism,
Context,
denim,
flathead jeans,
gitman brothers,
iron heart jeans,
kicking mule workshop,
momotaro denim,
nudie jeans,
ryan huber,
samurai jeans,
somet jeans
Saturday, August 8, 2009
1980, In Review
For the fourth of July weekend this year, some friends and I rented a cabin in the woods in Wisconsin. The route to the cabin just happened, with only a 5 minute detour, to run right by Madison, where I could visit Context, one of the few places anywhere near Chicago that I could look at a variety of Japanese denim and other denim nerdery in person. Stopping in the store, my fiancee and I did the usual tour of the premises, and and thanks to the great crew at Context, spent too much. I walked out, in particular, with a pair of Kicking Mule Workshop jeans, the 1980 Japanese Edition model. Described, quite aptly I think, on Context's website as "a jean for the refined denim enthusiast. Each step in the production was chosen on the basis of supreme quality. Made of Zimbabwean cotton, rope dyed in Natural Indigo, fabric produced and tailored in Okayama Prefecture Japan. The 1980 is a straight leg jean proportionally cut for a number of different body types.", I was very pleased with my jeans. I've been wearing them since mid July, and I figure, sometime this winter, they might be ready for their first wash. Bring on the fades! I've had my hands on many a pair of Japanese jeans, and the feel and finish of these jeans in particular is really a cut above to me.
While looking through the pictures below, make sure to keep an eye out for these features:
Red & Blue selvage line Selvage Coin Pocket
Back pocket Hidden Rivets
Doughnut Button fly Real Leather Patch









While looking through the pictures below, make sure to keep an eye out for these features:
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